雕刻銅浮雕的材質(zhì)和樣式有哪些？
浮雕黃銅雕刻的創(chuàng)作要適應(yīng)建筑的需要，同時(shí)也應(yīng)充分展現(xiàn)自己的獨(dú)特的存在意義和價(jià)值。紀(jì)念性和主題銅浮雕多遵循敘事性構(gòu)圖的原則，并含有指示象征意味。它適應(yīng)著紀(jì)念性建筑深遠(yuǎn)意義的表達(dá)，具有延展建筑的作用。
The creation of relief brass carving should meet the needs of architecture, and at the same time, it should fully show its unique significance and value. Commemorative and thematic reliefs mostly follow the principle of narrative composition, and contain indicative symbolism. It adapts to the expression of the profound significance of memorial architecture and has the function of extending architecture.
作為對(duì)建筑裝飾的裝飾性浮雕來說，同樣更多地依附于建筑主體并因此而存在。裝飾性浮雕，一般總是雕刻在某座建筑物的部件或局部的表面，例如門框、窗邊、梁柱、墻面、轉(zhuǎn)角等或其它建筑物的表面。
As for the decorative relief of architectural decoration, it is also more attached to the main body of the building and therefore exists. Decorative relief is usually carved on the surface of parts or parts of a building, such as door frame, window edge, beam column, wall, corner, etc. or the surface of other buildings.
架上性浮雕是指依賴于建筑而存在，更注重雕塑家個(gè)人情感與觀念表達(dá)的一種浮雕類型，它可作為架上陳列也可置特定環(huán)境中，在空間上較強(qiáng)，題材也非常廣泛，是一種新穎的的形式。
Easel relief refers to a type of relief that depends on architecture and pays more attention to the expression of sculptors' personal feelings and ideas. It can be used as a kind of easel display or placed in a specific environment. It is strong in space and has a wide range of subjects. It is a new form.
隨著藝術(shù)家對(duì)浮雕黃銅雕刻空間的不斷拓展，浮雕這種形式已不再完全作為建筑裝飾附屬物而存在，而是開始以一種形式展現(xiàn)自己的獨(dú)特的藝術(shù)魅力，傳達(dá)著更具意義的內(nèi)涵。
With the continuous expansion of the artist's relief brass carving space, this form of relief is no longer completely existing as an architectural decoration accessory, but began to show its unique artistic charm in a form, conveying a more meaningful connotation.
